20. A Great and Terrible Beauty


This novel had some promise. At the very least, the beginning was enticing. While the rest of the story may not have been as elegantly written, the story was alright enough. 


Historical fiction, especially when involving the Victorian era, is an enticing genre. Sprinkle in some fantasy and it all sounds very promising. However, the mash-up turned out to be awkward and confusing in A Great and Terrible Beauty. The beginning of the story had a certain appealing feel to it. It was a unique perspective of an upper-class English girl living in India with her family. Her mother’s murder created an interesting mystery, so I expected more from the story. But the book completely shifted in style and content once the narrator, Gemma Doyle, moved to an English boarding school. She befriended several cruel, unlikeable girls. I didn’t feel much attachment to those side characters, and I found them to be shallow, and the group’s friendship to be hollow. Moreover, there was suddenly a random fantasy aspect to the story. After discovering a diary of a witch, Gemma experiments with magic, despite a strange Indian boy telling her not to. That was another issue I had, because the boy came out of absolutely nowhere and seemed to have no importance other than a few random scenes of warning Gemma against using magic. But then all of a sudden Gemma was attracted to him, and they were in a quasi-relationship. I got whiplash from this novel, with its jumpiness and awkward blend of genres. I finished feeling confused and tired.

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